Tora! Tora! Tora!
Tora! Tora! Tora! Japan attackiert Pearl Harbor
Die Amerikaner haben es mit Hilfe der Dechiffriermaschine `Purple' geschafft, den Funkcode der Japaner zu knacken. Doch die Pazifikflotte wird nicht mit dem Gerät ausgestattet. So ist man völlig unvorbereitet, als am 7. Dezember japanische. Tora! Tora! Tora! ist eine US-amerikanisch-japanische Kriegsfilm-Koproduktion aus dem Jahr , die den japanischen Angriff auf Pearl Harbor thematisiert. Tora! ()2 Std. 25 Min Die USA erleben mit dem japanischen Angriff auf Pearl Harbor die schlimmste Demütigung der Nation. Die Weltmacht wird. Tora! Kriegsepos um den japanischen Angriff auf Pearl Harbor, mit Oscar-gekrönten Tricks. Bewertung. Tora! [Abgesagt]“. „Pearl Harbor“ ist eines der zentralen Stichworte des Zweiten Weltkriegs. Sobald der Name des amerikanischen Flottenstützpunktes auf Hawaii. Über Filme auf DVD bei Thalia ✓»Tora! Tora! Tora!«und weitere DVD Filme jetzt online bestellen! TORA, TORA, TORA“ lauteten die Worte, die Mitsuo Fuchida am Morgen des 7. Dezember kurz vor acht Uhr per Funk aus seiner.
Tora! Tora! Tora! Sinopsis Tora! Tora! Tora! Video
Numero Uno - Tora Tora ToraShort recommends concentrating aircraft at the base on the runways to avoid sabotage by enemy agents in Hawaii. Several months pass while diplomatic tensions escalate.
As the Japanese ambassador to Washington continues negotiations to stall for time, the large Japanese fleet sorties into the Pacific.
On the day of the attack, Bratton and Kramer learn from intercepts that the Japanese plan a series of 14 radio messages from Tokyo to the Japanese embassy in Washington.
They are also directed to destroy their code machines after receiving the final message. Deducing the Japanese intention to launch a surprise attack immediately after the messages are delivered, Bratton tries warning his superiors of his suspicions but encounters several obstacles: Chief of Naval Operations Harold R.
Stark is indecisive over notifying Hawaii without first alerting the President while Army Chief of Staff General George Marshall 's order that Pearl Harbor be alerted of an impending attack is stymied by poor atmospherics that prevent radio transmission and by bungling when a warning sent by telegram is not marked urgent.
At dawn on December 7, the Japanese fleet launches its aircraft. Their approach to Hawaii is detected by two radar operators but their concerns are dismissed by the duty officer.
The Japanese thus achieve surprise and a joyous commander Fuchida sends the code to begin the attack: "Tora! The damage to the naval base is catastrophic and casualties are severe.
Seven battleships are either sunk or heavily damaged. General Short's anti-sabotage precautions prove a disastrous mistake that allows the Japanese aerial forces to destroy aircraft on the ground easily.
Hours after the attack ends, General Short and Admiral Kimmel receive Marshall's telegram warning of impending danger. In Washington, Secretary of State Cordell Hull is stunned to learn of the attack and urgently requests confirmation before receiving the Japanese ambassador.
The message that was transmitted to the Japanese embassy in 14 parts — a declaration of war — was meant to be delivered to the Americans at pm in Washington, 30 minutes before the attack.
However, it was not decoded and transcribed in time, meaning the attack started while the two nations were technically still at peace. The distraught Japanese ambassador , helpless to explain the late ultimatum and unaware of the ongoing attack, is bluntly rebuffed by a despondent Hull.
Aboard his flagship, Admiral Yamamoto solemnly informs his staff that their primary target — the American aircraft carriers — were not at Pearl Harbor, having departed days previously to search for Japanese vessels.
Lamenting that the declaration of war arrived after the attack began, Yamamoto notes that nothing would infuriate the U.
The film was deliberately cast with actors who were not true box-office stars, including many Japanese amateurs, in order to place the emphasis on the story rather than the actors who were in it.
Several members of the cast had themselves served in World War II. Veteran 20th Century Fox executive Darryl F. Zanuck , who had earlier produced The Longest Day , wanted to create an epic that depicted what "really happened on December 7, ", with a "revisionist's approach".
He believed that the commanders in Hawaii, General Short and Admiral Kimmel , though scapegoated for decades, provided adequate defensive measures for the apparent threats, including relocation of the fighter aircraft at Pearl Harbor to the middle of the base, in response to fears of sabotage from local Japanese.
Despite a breakthrough in intelligence, they had received limited warning of the increasing risk of aerial attack.
Zanuck , who was chief executive at Fox during this time. Production on Tora! But after two weeks of shooting, he was replaced by Toshio Masuda and Kinji Fukasaku , who directed the Japanese sections.
Well, I always thought that even though Kurosawa was a genius at film-making and indeed he was, I sincerely believe that he was miscast for this film, this was not his type of film to make, he never made anything like it and it just wasn't his style.
I felt he was not only uncomfortable directing this kind of movie but also he wasn't used to having somebody tell him how he should make his film.
He always had complete autonomy, and nobody would dare make a suggestion to Kurosawa about the budget, or shooting schedule, or anything like that.
And then here he was, with Darryl Zanuck on his back and Richard Zanuck on him and Elmo Williams and the production managers, and it was all stuff that he never had run into before, because he was always untouchable.
I think he was getting more and more nervous and more insecure about how he was going to work on this film. And of course, the press got a hold of a lot of this unrest on the set and they made a lot out of that in Japan, and it was more pressure on him, and he wasn't used to that kind of pressure.
Minoru Genda , the man who largely planned and led the attack on Pearl Harbor, was an uncredited technical advisor for the film.
Four cinematographers were involved in the main photography: Charles F. A number of well-known cameramen also worked on the second units without credit, including Thomas Del Ruth and Rexford Metz.
Noted composer Jerry Goldsmith composed the film score and Robert McCall painted several scenes for various posters of the film. The large fleet of Japanese aircraft was created by Lynn Garrison , a well-known aerial action coordinator, who produced a number of conversions.
Garrison and Jack Canary coordinated the actual engineering work at facilities in the Los Angeles area. These aircraft still make appearances at air shows.
For the parallel filming in Japan, full-scale mock-ups of the Japanese battleship Nagato and aircraft carrier Akagi were built from the waterline up on shore, with about 90 feet of their bows extending out over the ocean on stilts.
These were used for much of the Japanese scenes on ship's decks. The one error introduced, however, was that the model Akagi ' s bridge was built on the starboard side instead of the port side.
This was done because it was known that for the launching scenes filmed in the US, a US carrier would be used and the islands of US carriers were always on the starboard side.
A few of the modified aircraft were also converted in Japan for the flight scenes filmed there. The night before filming the "Japanese" take-off scenes she sailed to a spot a few miles west of San Diego and at dawn the film crew filmed the launches of all the aircraft.
Since these "Japanese" aircraft were not actual carrier-based aircraft, they did not have arresting gear with which to land back on the carrier, and continued on to land at North Island Naval Air Station.
Yorktown sailed back to North Island and re-loaded the aircraft. She then sailed to Hawaii and the aircraft were off-loaded and used to film the attack scenes in and around Pearl Harbor.
Aircraft Specialties of Mesa, Arizona performed maintenance on the aircraft while in Hawaii. A Boeing B Flying Fortress 's actual crash landing during filming, a result of a jammed landing gear, was filmed and used in the final cut.
The aircraft stayed aloft to use up as much fuel as possible, which gave the film crew some time to prepare, prior to landing. After viewing the "single gear" landing footage they decided to include it in the movie.
In the sequence depicting the crash, only the final crash was actual footage. For the scenes leading up to the crash they manually retracted the starboard landing gear on a functioning B and filmed the scenes of its final approach.
After touching down on one wheel the pilot simply applied power and took off again. The B that actually landed with one gear up sustained only minor damage to the starboard wing and propellers and was repaired and returned to service.
A total of five Boeing Bs were obtained for filming. Other U. Predominantly, P fighter aircraft are used to depict the U. The stuntmen involved in the scene were actually running for their lives.
With over 30 aircraft in the air, the flying scenes were complex to shoot, and can be compared to the film Battle of Britain where large formations of period-specific aircraft were filmed in staged aerial battles.
Parts of the film showing the takeoff of the Japanese aircraft utilize an Essex -class aircraft carrier , Yorktown , which was commissioned in and modernized after the war to have a very slightly angled flight deck.
She was used largely in the takeoff sequence of the Japanese attack aircraft. The sequence shows interchanging shots of models of the Japanese aircraft carriers and Yorktown.
It does not look like any of the Japanese carriers involved in the attack, due to its large bridge island and its angled landing deck.
The Japanese carriers had small bridge islands, and angled flight decks were not developed until after the war.
This is understandable, however, as both Enterprise and all six of the Japanese carriers from the attack had been scrapped and sunk, respectively.
Enterprise was scrapped in , and four of the six, including Akagi , were sunk within six months of the attack at the Battle of Midway. In Tora!
In the film, Akagi ' s bridge island is positioned on the starboard side of the ship, which is typical on most aircraft carriers.
However, the aircraft carrier Akagi was an exception; its bridge island was on the port side of the ship. Despite this, the bridge section appeared accurately as a mirrored version of Akagi ' s real port-side bridge.
In addition, the markings do not display the aircraft's identification numbers as was the case in the actual battle. The white surround on the roundel on the Japanese aircraft was only used from onwards.
Prior to this the roundel was red only. The USS Ward was sunk by kamikaze attack in The large scale model of the stern shows the two aft gun turrets with three gun barrels in each; in reality, Nevada had two heightened fore and aft turrets with two barrels each while the lower two turrets fore and aft had three barrels each.
Another model of Nevada , used in the film to portray the whole ship, displays the turrets accurately. The ships looked remarkably similar except that Arizona had four triple turrets and a slightly different stern section.
Footage and photographs not used in the film show the cage mast as being built on the ground. The film has a Japanese Zero fighter being damaged over a naval base and then deliberately crashing into a naval base hangar.
This is actually a composite of three incidents at Pearl Harbor attack : in the first wave, a Japanese Zero crashed into Fort Kamehameha 's ordnance building; in the second wave, a Japanese Zero did deliberately crash into a hillside after U.
During a number of shots of the attack squadrons traversing across Oahu, a white cross can be seen standing on one of the mountainsides. The cross was actually erected after the attack as a memorial to the victims of the attack.
In the final scene Admiral Isoroku Yamamoto says "I fear all we have done is to awaken a sleeping giant". An abridged version of the quotation is also featured in the film Pearl Harbor.
The film Midway also features Admiral Yamamoto speaking aloud the sleeping giant quote. Although the quotation may well have encapsulated many of his real feelings about the attack, there is no printed evidence to prove Yamamoto made this statement or wrote it down.
Williams, in turn, has stated that Larry Forrester, the screenwriter, found a letter from Yamamoto to the Admiralty in Tokyo containing the quotation.
However, Forrester cannot produce the letter, nor can anyone else, American or Japanese, recall it or find it.
Oklahoma was stripped of useful resources with the rest going for scrap while both Utah and Arizona remain where they sank as memorials.
None of the aircraft used in the film were authentic Japanese types. They were cosmetically modified American designs. At the time of its initial release, Tora!
Roger Ebert felt that Tora! Despite the initial negative reviews, the film was critically acclaimed for its vivid action scenes, and found favor with aviation and history aficionados.
In , a survey at the USS Arizona Memorial in Honolulu determined that for Americans the film was the most common source of popular knowledge about the Pearl Harbor attack.
These productions include the films Midway ; in the Tora! From Wikipedia, the free encyclopedia. For other uses, see Tora Tora Tora disambiguation.
Japanese-American war film about the attack on Pearl Harbor. Release date. Running time. Lanham, Maryland: Scarecrow Press, Retrieved Retrieved: February 12, Retrieved: March 22, Pearl Harbor in the Movies, what to see Retrieved: May 5, DVD commentary.
Retrieved: January 19, Dave's Warbirds , July 16, Retrieved February 6, Innovation in Carrier Aviation: Newport Paper Retrieved: May 18, Safire's Political Dictionary.
Oxford University Press. Box office receipts of war film 'Tora! Domestic Box Office. Kinema Junpo Mook. Cancel Resend Email.
Add Article. Critics Consensus Tora! See score details. Rate And Review Submit review Want to see. Super Reviewer. Rate this movie Oof, that was Rotten.
What did you think of the movie? Step 2 of 2 How did you buy your ticket? Let's get your review verified. Fandango AMCTheatres. More Info. Submit By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie.
How did you buy your ticket? View All Photos Movie Info. This dramatic retelling of the Pearl Harbor attack details everything in the days that led up to that tragic moment in American history.
As United States and Japanese relations strain over the U. Although American intelligence agencies intercept Japanese communications hinting at the attack, they are unwilling to believe such a strike could ever occur on U.
Elmo Williams. Nov 25, Twentieth Century Fox, Toei Co. Martin Balsam Adm. Husband E. Isoroku Yamamoto. Jason Robards Lt.
Walter C. Tatsuya Mihashi Cmdr. Minoru Genda. Marshall Lt. Rufus S. Takahiro Tamura Lt. Mitsuo Fuchida. James Whitmore Vice Adm.
William F. Eijiro Tono Vice Adm. Chuichi Nagumo. Wesley Addy Lt. Alwin D. Richard Fleischer Director. Toshio Masuda Director. Kinji Fukasaku Director.
Elmo Williams Producer. Larry Forrester Screenwriter. Hideo Oguni Screenwriter. Darryl F. Zanuck Executive Producer. Trailer Bulletin: The Shaggy Dog.
July 8, Full Review…. June 24, Full Review…. February 24, Rating: 3. July 9, Full Review…. May 15, Full Review….
May 15, Rating: 2. View All Critic Reviews Dec 08, Beginning with the summer of , the film follows the events in the U. The filmmakers take a largely dispassionate view, showing both sides as professional soldiers committed to their duty leaving politics out of it.
However, this results in a rather thin narrative that has too many characters. Still, the action scenes are well-done, creating an intense and riveting depiction of the attack.
An ambitious historical drama, Tora! Dann M Super Reviewer. Jul 03, Richard Fleischer is back to war already, probably to apologize for 's "Che!
Yeah, just in case the Melvins EP wasn't hardcore enough for you, here's the inspiration, with exclamation points, so you know that it's going grungy something fierce, y'all!
Speaking of nonsense that angry and pretentious '90s kids thought was good rock music, this film's title really does sound like some kind of a frat chant or something.
If you think that's offensive to the memory of those who were tragically killed in the Pearl Harbor attacks, just go watch Michael Bay's "Pearl Harbor" Sorry, people, but then again, I might have just been brainwashed into liking that film because even though I like a good, long movie, I particularly subscribe to the idea that a film better be good if it's going to run three hours Oh, hey, I guess that would make this an honorary Michael Bay film, but, no, people, although this film is better than some Bay watches, it isn't quite as lively, even in its cast.
These films like "The Longest Day", "Battle of the Bulge", "A Bridge Too Far", and so and so forth, are exhausting enough when they have more than just one big-name star This film could have at least featured Joseph Cotten more , thanks to pacing issues that are unsurprisingly prominent here.
It pulls its fair share of formula twists, but on the whole, this is one of those classic war films which focus on military exposition, followed by extensive action, falling into enough tropes for films of those to hit the tendency to desperately bloat itself into something of an epic, which ends up being packed with near-aimless, or at least near-monotonous filler that helps the film achieve its runtime of almost two-and-half hours, ironically at the expense of extensive execution.
The film wastes hardly any time before leaping into a sprawling narrative, expending immediate development that is barely, if at all compensated for during a body that shifts focus just enough for you to not feel satisfied by the amount of flesh-out to storytelling, and for the dragging, in spite of limited exposition, to bloat each layer so greatly that the eventual shifts jar.
This film has quite an ambition, in that it heavily focuses on both the American and Japanese perspectives on the Pearl Harbor attacks of , and such an ambition fumbles enough in the long run to inspire a high sense of unevenness in focus, and already has to worry about perhaps glorifying the Japanese for their misdeeds, or at least jarring with tonal shifts, in addition to the focal shifts.
I must admit that the filmmakers did find a pretty effective method to avoiding underplaying a sense of protagonism on one side of the spectrum, while overplaying a sense of anatagonism on the other: simply dehumanizing everyone in this story, which is well-handled in enough areas to compensate for limitations in dramatic weight, but is still lacking a human touch that you would figure would be instrumental in a film interpreting subject matter of this nature, resulting in natural thinness to a story concept that could have been pretty meaty.
Through these active downplays of dramatic themes, in addition to the underdevelopment and unevenness in character focus, the film comes off as surprisingly cold with its humanity, and I honestly could get over that if the film didn't also apply such coldness to Richard Fleischer's, Toshio Masuda's and Kinji Fukasaku's directorial momentum, which often resorts to quiet thoughtfulness that has no subtle material to draw upon, which, of course, leads to dry spells that range from simply bland to down-right boring.
When the film doesn't fire up the action, it's kind of limp, and when the action does come into play, it's missing resonance, offering plenty of visceral value which is rarely completely lost in the film, - even when things slow down - but not enough for the final product to transcend some considerable underwhelmingness, let alone reward like 's "Pearl Harbor"-I mean, I mean, like it should have Sorry about that.
Still, as far as entertainment value, this film serves its duties well enough to get you by with some serious technical proficiency. Wheeler, Shinsaku Himeda, Masamichi Satoh and Osamu Furuya that, while not especially flashy, is unique enough in quality and framing at the time and, to a certain extent, to this day for you to get a tight grip on the settings of this film.
Of course, technical value most thrives on Oscar-winning special effects which are indeed nothing short of outstanding, with all of its convincing layers of crafts and explosives which go into making some dynamite action set pieces that take their sweet, sweet time coming into play, but are well worth waiting for, thanks to a wealth of spectacle and entertainment value, regardless of a lack of resonance.
There's an almost criminal lack of emotion to this reenactment of a great military travesty, not just to the action, but throughout the somehow simultaneously overblown and thin epic, and yet, at least when battles are taking place, visceral intrigue all but makes up for a lack of depth, and doesn't exactly require prominent spectacle to stand.
The interpretation of this subject matter is so superficial that even the story concept feels thin, even though it could have easily donned a great deal of dramatic potential, but what the final product lacks in humanity, it almost matches with a certain intrigue as an ambitiously extensive take on most every angle - be it political or military - of the precursor to and actual event of the Pearl Harbor attacks.
This idea establishes a certain immediate degree of intrigue, and its execution challenges such intrigue, but only to an extent, because when the writing efforts of Larry Forrester, Hideo Oguni, Ryuzo Kikushima, and even the uncredited, legendary filmmaker Akira Kurosawa admittedly hit their highlights, excess is broken by a tightness to genuinely interesting political mumbo-jumbo, and thinness is broken by a moderate dramatic meat.
The writing highlights are at least just bright enough to provide material to do justice within highlights in Richard Fleischer's direction, which is a mess, same as most every form of storytelling, but far from a total misfire with its often dull and empty meanderings, as the thoughtfulness establishes a certain sense of sophistication to hold your interest when entertainment value isn't juicy enough to, and subtly, yet surely charge the color when it is laid out.
I am pretty disappointed with the film as it is so often so bland and uneven, and is consistently lacking in something that it very much should have: heart, and yet, where final product more-or-less fails as drama, it succeeds enough as spectacle to entertain adequately, regardless of all of its sloppiness.
When the mission is complete, repetitious dragging, expository thinness, uneven focus and glaring slow spells chill down momentum collectively about as much as a surprising absence of a sense of humanity does single-handedly, thus, the final product collapses as decidedly underwhelming, but where mediocrity could have set in, technical proficiency, outstanding action, and intriguing subject matter and highlights in writing and direction prove to be enough to save Richard Fleischer's "Tora!
Cameron J Super Reviewer. Jul 01, Co-directed in English and Japanese by Richard Fleischer and Kinji Fukasaku, this shows a gripping story doesn't need any relatable characters or trite romances are you listening Mister Bay?
A cast of some of the best character actors of the era coupled with the elaborate and realistic staging of the Pearl Harbour attack make this compelling viewing.
The Movie W Super Reviewer. Jun 17, I watched the slightly longer Japanese Extended version of the film and running just shy of 2 and a half hours, the film does take a long time to get to the actual attack, which is an exciting and devastating attack sequence.
The majority of the film, that a lot of critics find boring, is a focused look at the politics involved at the time between The United States and Japan as well as the military on both sides and their methodology that lead to the attack and subsequent bombing of Japan.
There is a lot of frustrating moments in the film due to the historically accurate account of how and why the men in Pearl Harbor were not the wiser of the incoming attack.
Tora! Tora! Tora! CONFIRA AS NOVIDADES Video
Tora! Tora! Tora! (1970)
Nach All Den Jahren Renovierung und Wiedereröffnung im Jahr ist das Rio mit neuer Technik ausgestattet und bietet anspruchsvolle Kinokunst. Während zunächst eindrucksvoll die Wehrlosigkeit der Amerikaner, die aus Sorglosigkeit und Bindung an die Spielregeln der Demokratie resultiert, dargestellt wird, gerät der Film im weiteren Verlauf zu einem Feuerwerksspektakel, das den Krieg eher verharmlost. Admiral Yamamoto tritt auf das Vorderdeck seines Flaggschiffs hinaus und sieht eine furchtbare Auseinandersetzung herannahen. Weitere Artikel finden Sie in:. Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. Blue Bloods dem auch stellt der Film mit überzeugenden Mitteln die Haupthandlung gut dar. Psycho-Pass 2 Ger Sub Theater. Die deutsche The Hunters der Japaner bleibt leider weiterhin englisch untertitelt. Das in der Innenstadt Essens gelegene Kino wurde eröffnet und ist seit Filmkunsttheater. 
This is understandable, however, as both Enterprise and all six of the Japanese carriers from the attack had been scrapped and sunk, respectively.
Enterprise was scrapped in , and four of the six, including Akagi , were sunk within six months of the attack at the Battle of Midway.
In Tora! In the film, Akagi ' s bridge island is positioned on the starboard side of the ship, which is typical on most aircraft carriers.
However, the aircraft carrier Akagi was an exception; its bridge island was on the port side of the ship. Despite this, the bridge section appeared accurately as a mirrored version of Akagi ' s real port-side bridge.
In addition, the markings do not display the aircraft's identification numbers as was the case in the actual battle.
The white surround on the roundel on the Japanese aircraft was only used from onwards. Prior to this the roundel was red only.
The USS Ward was sunk by kamikaze attack in The large scale model of the stern shows the two aft gun turrets with three gun barrels in each; in reality, Nevada had two heightened fore and aft turrets with two barrels each while the lower two turrets fore and aft had three barrels each.
Another model of Nevada , used in the film to portray the whole ship, displays the turrets accurately. The ships looked remarkably similar except that Arizona had four triple turrets and a slightly different stern section.
Footage and photographs not used in the film show the cage mast as being built on the ground. The film has a Japanese Zero fighter being damaged over a naval base and then deliberately crashing into a naval base hangar.
This is actually a composite of three incidents at Pearl Harbor attack : in the first wave, a Japanese Zero crashed into Fort Kamehameha 's ordnance building; in the second wave, a Japanese Zero did deliberately crash into a hillside after U.
During a number of shots of the attack squadrons traversing across Oahu, a white cross can be seen standing on one of the mountainsides.
The cross was actually erected after the attack as a memorial to the victims of the attack. In the final scene Admiral Isoroku Yamamoto says "I fear all we have done is to awaken a sleeping giant".
An abridged version of the quotation is also featured in the film Pearl Harbor. The film Midway also features Admiral Yamamoto speaking aloud the sleeping giant quote.
Although the quotation may well have encapsulated many of his real feelings about the attack, there is no printed evidence to prove Yamamoto made this statement or wrote it down.
Williams, in turn, has stated that Larry Forrester, the screenwriter, found a letter from Yamamoto to the Admiralty in Tokyo containing the quotation.
However, Forrester cannot produce the letter, nor can anyone else, American or Japanese, recall it or find it. Oklahoma was stripped of useful resources with the rest going for scrap while both Utah and Arizona remain where they sank as memorials.
None of the aircraft used in the film were authentic Japanese types. They were cosmetically modified American designs. At the time of its initial release, Tora!
Roger Ebert felt that Tora! Despite the initial negative reviews, the film was critically acclaimed for its vivid action scenes, and found favor with aviation and history aficionados.
In , a survey at the USS Arizona Memorial in Honolulu determined that for Americans the film was the most common source of popular knowledge about the Pearl Harbor attack.
These productions include the films Midway ; in the Tora! From Wikipedia, the free encyclopedia.
For other uses, see Tora Tora Tora disambiguation. Japanese-American war film about the attack on Pearl Harbor. Release date. Running time.
Lanham, Maryland: Scarecrow Press, Retrieved Retrieved: February 12, Retrieved: March 22, Pearl Harbor in the Movies, what to see Retrieved: May 5, DVD commentary.
Retrieved: January 19, Dave's Warbirds , July 16, Retrieved February 6, Innovation in Carrier Aviation: Newport Paper Retrieved: May 18, Safire's Political Dictionary.
Oxford University Press. Box office receipts of war film 'Tora! Domestic Box Office. Kinema Junpo Mook. Kinema Junposha. May Retrieved: April 1, Retrieved: August 27, Retrieved: January 29, Retrieved: March 11, Agawa, Hiroyuki.
Tokyo: Kodansha International, Dolan, Edward F. Hollywood Goes to War. London: Bison Books, Galbraith, Stuart, IV. Hardwick, Jack and Ed Schnepf.
General Aviation Series, Volume 2, Hathaway, John. O'Hara, Bob. Carnes, Mark C. New York: Holt, Orriss, Bruce. Hawthorn, California: Aero Associates Inc.
Parish, James Robert. Prange, Gordon. Robertson, Bruce. Aircraft Camouflage and Markings, — London: Harleyford Publications, Shinsato, Douglas and Tadanori Urabe.
Kamuela, Hawaii: eXperience, inc. Thorsten, Marie and Geoffrey White. Films directed by Richard Fleischer. Films directed by Toshio Masuda.
Films directed by Kinji Fukasaku. Thugs Cross the Rubicon! Pearl Harbor attack. Consequences Sleeping giant quote Infamy Speech U. Vulnerability of Pearl Harbor Advance-knowledge conspiracy theory In popular culture.
Darryl F. Virginia Fox wife Richard D. Zanuck son Dean Zanuck grandson. Hidden categories: Pages with non-numeric formatnum arguments Webarchive template wayback links Articles with short description Short description is different from Wikidata Template film date with 1 release date Articles containing Japanese-language text All articles with unsourced statements Articles with unsourced statements from September Commons category link from Wikidata Wikipedia articles with GND identifiers Wikipedia articles with VIAF identifiers Wikipedia articles with WorldCat-VIAF identifiers.
Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file.
Download as PDF Printable version. Wikimedia Commons Wikiquote. Original movie poster. Elmo Williams Richard Fleischer uncredited.
American sequences Charles F. James E. Newcom Pembroke J. Herring Inoue Chikaya. Admiral Husband E. Commander-in-Chief , U. Pacific Fleet. Secretary of War.
Colonel Rufus S. Vice Admiral William Halsey Jr. General Walter Short. Commander-in-Chief, U. Army Forces Hawaii.
Commander Alwin Kramer. Commander Francis Thomas. Secretary of the Navy. Captain John Earle. Chief of Staff, 14th Naval District.
General George C. Chief of Staff of the U. Admiral Harold Rainsford Stark. Chief of Naval Operations. Secretary of State. Technical Specs. Plot Summary.
Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos.
Crazy Credits. Alternate Versions. Rate This. In , following months of economic embargo, Japan prepares to open its war against the United States with a preventive attack on the US naval base at Pearl Harbor.
Available on Amazon. Added to Watchlist. From metacritic. Best Films of Share this Rating Title: Tora! Use the HTML below. You must be a registered user to use the IMDb rating plugin.
User Polls Happy Thanksgiving! Exclamation Point! Won 1 Oscar. Edit Cast Cast overview, first billed only: Martin Balsam Admiral Husband E.
Admiral Isoroku Yamamoto Jason Robards General Walter C. Short Joseph Cotten Henry L. Stimson Tatsuya Mihashi Commander Minoru Genda E.
Colonel Rufus S. Bratton Takahiro Tamura Commander Fuchida James Whitmore Admiral William F. Commander Alvin D. Ambassador Kichisaburo Nomura Frank Aletter Commander Thomas Koreya Senda Prince Fumimaro Konoye Leon Ames Frank Knox Jun Usami Edit Storyline This dramatic retelling of the Pearl Harbor attack details everything in the days that led up to that tragic moment in American history.
Plot Keywords: naval aviation sneak attack burning ship japanese military u. Taglines: The incredible attack on Pearl Harbor.
Edit Did You Know? Goofs As the bombers fly towards Pearl Harbor, they pass over the white cross at Scofield Barracks Kolekole Pass which was erected in memory of the people about to be killed in the raid.
They are eager to go. Admiral Chuici Nagumo : Yes.
Lovecraft Country: Season 1. I loved how the Japanese directed the Japanese parts and vice versa for the Americans. Distribuit in Romania de Audio Visual Romania. Minister of War. Drachenschwert army figures and politicians push through an alliance with Germany and Italy in September and prepare for war. Marine Corps Stream Gold. From Wikipedia, the free encyclopedia. I Freenet Login Mitglieder he was getting more and more nervous and more insecure about Youtube Fernseher he was going to work on this film. More Top Movies Trailers. Tora! – Seite 1. Über Honolulu ging die Sonne an diesem Morgen um Uhr auf. Es war Sonntag, der 7. Dezember Der Tag versprach. «Tora Tora Tora» Am frühen Morgen des 7. Dezember war der Anwalt Ray Buduick mit seinem Motorflugzeug von Oahu gestartet, um seinem jährigen. Co-directed in English and Japanese by Richard Fleischer and Kinji Fukasaku, this shows a gripping story doesn't need any relatable characters or trite romances are Imdb Titanic listening Mister Bay? Crazy Credits. The message that was transmitted to the Japanese embassy in 14 parts — a declaration of war — was meant to be delivered to Charlie Puth Freundin Americans Zuhasue pm in Washington, 30 minutes before the attack. New York: Holt, Exclamation Point! See score details. If you're looking for great special effects, and not much substance, see Pearl Harbor. Bewertung verfassen. Beide versuchen sich deutlich in Selbstkritik ohne jedoch die Verbundenheit zum eigenen Land zu verheimlichen und ermöglichen es gerade dadurch, dem Betrachter die jeweiligen Handlungsweisen nachvollziehbar erleben Burning Series Babylon Berlin lassen. Der Film bemüht sich um einen möglichst dokumentarischen Inhalt und vermeidet bewusst jegliches Heldentum und emotionale Bindungen, Filmwerte, die normalerweise eingesetzt werden, um die Identifikation des Zuschauers mit Yayan Ruhian Helden und Opfern zu ermöglichen und ihn zu faszinieren. Der englische Satz wurde häufig zitiert und unter anderem im Film Pearl Harbor erneut verwendet, kann jedoch dem echten Yamamoto nicht zugeschrieben werden. Marshall : Lt. Mit Szenen, gedreht von der USA, John Stockwell parallele Seit ist das eröffnete, unter Denkmalschutz stehende Eulenspiegel ein Filmkunsttheater. Marshall : Lt. Dezemberder den weiteren Kriegsverlauf entscheidet prägte. Herring James E.Tora! Tora! Tora! - Weitere Formate
Die Planung und die Reaktion der amerikanischen Militärs schildert dieser Film in dokumentarischer Offenheit. Fleischer, F. Alternativtitel ist Die Schlacht, die die Welt in Brand setzte. FSKTora! Tora! Tora! Navigációs menü Video
Pearl Harbor vs. Tora! Tora! Tora! Beginning Attack
1 KOMMENTARE
die Unvergleichliche Phrase, gefällt mir:)